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Poison Berries

by Orchestraville

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  • Record/Vinyl + Digital Album

    Vinyl edition on 150g black vinyl, pressed by our friends at Gotta Groove Records in Cleveland.

    Also includes immediate download of 12 track album in your choice of 320k mp3, FLAC, or just about any other format you could possibly desire.
    ships out within 2 days
    edition of 300 
    Purchasable with gift card

      $10 USD or more 

     

  • Streaming + Download

    Immediate download of 12-track album in your choice of 320k mp3, FLAC, or just about any other format you could possibly desire. Includes PDF of LP artwork.
    Purchasable with gift card

     

1.
Lift Me Up 03:37
When you call out my name, I do the same to you and we go out Honey, you only traded an ounce of assurance for my pound of doubt You lift me up, lift me up Now, I couldn’t see too far in front of me with my face on the floor It takes a talented hand to lift the head of a man and show him what it’s for Say lift me up, lift me up Now I can laugh about it When it was clouded I didn’t understand it at all Lift me up By the sound of that voice I’m not given the choice so I just cave in Sometimes I hit the jackpot and I like it a lot cause we all love to win You lift me up, lift me up Now I can laugh about it When it was clouded I didn’t understand it at all Lift me up
2.
You thought the sun would never wake up and rise To shave the clouds right off the face of the sky You picked me out and didn’t even know why You fell like a bird without wings And you became the toast of the town Down in the basement I can lend you a hand A dream of sleep and eating all that you can You sat between me and the wheel of a van You fell like a bird without wings And you became the toast of the town You thought the sun would never wake up and rise To shave the clouds right off the face of the sky You picked me out and didn’t even know why You fell like a bird without wings And you became the toast of the town You fell like a bird without wings To keep me from unraveling You fell like a bird without wings And you became the toast of the town
3.
Half & Half 02:24
Why did you smile? Why did you laugh? A mickey was slipped in your half-empty glass Although I try, I can’t understand The carrier bird that eats from your hand And the same goes for you That’s why you love me too We’re half-and-half A perfect match We both appease, and still we try The one thing we agree on is we don’t know why I just can’t read this strange resume You’ve made a career out of passing the blame And the same goes for me That’s why I love you, see We’re half-and-half A perfect match You swallowed your pride but choked and you died Yeah, they say it’s not easy And the same goes for you That’s why you love me too We’re half-and-half A perfect match You swallowed your pride but choked and you died Yeah, they say it’s not easy
4.
Only A Song 02:36
Save me again I'm angry Save me again I'm dull or maybe it's just nostalgia as a symptom of the Fall Three cheers to Mr. Albert With his hat brim filling mine and sure fire cure of a spinning blur with an apple for an eye He said, “take this one and call me in the morning next time. If you're feeling blue we'll add Leonard too and make sorrow seem sublime.” Some sweet girl made me promise, “this one's only yours and mine.” But she knew deep down that record sold a million, not one time And it's only a song but it made you belong And a few small words would run in herds and take you to the place you want to be So now I know how to travel if my traffic starts to crawl You can barely see the map beneath the push pins in the wall And it's only a song but it made you belong And a few small words would run in herds and take you to the place you want to be
5.
You turned The Lantern off because your words of upstart would not stop Without the fire nobody would see that you were rolling up your left sleeve So you put the photograph into a bindle stick with a New York map They took it when you were young - when there was nothing to it Now your fighting flag is a chin that wags and another song Don't you live to bury the very thing that you're counting on Stars twinkle in your eyes when they project your name from a marquee sky They heard your heart beating But open ears are fleeting Now your fighting drums are the clapping guns of another song Don't you live to bury the very thing that you're counting on So why would we get along and let you sing the last of your protest songs? When all the candles and the lights go out It gives you something you can talk about You found peace without a doubt
6.
All of the crows feet tell a story Let's float down the cracks in a sinking boat Your mother went out in a blaze of glory her cigarette fell on a sleeping coat If she had a dream just like so many Then nobody knew what it really was And they never tried because they were busy The answer to "why?" is always "because." And you wanna be like that someday You wanna be like that I woke up today and I was grateful But only because I said I was If you need some lies I've got a state full I'll donate a couple to the cause How come you're a rock and we've just had it? You became an M.D. in the 7th grade But you stand amazed we don't know you're static 'cause all you wanted to be was a dairymaid The powers that be took the century off To tend to themselves and the mess they've made So one finished all of his eight ball comics And the other learned how to can marmalade Dishwashers in hell never see a clean plate We can't finish the job like we hoped or thought It's like slapping the hand of a death row inmate Or clipping the wings of an albatross
7.
You could set aside an hour or two To do the things she asked you to A flood of leisure has left you blind So you can’t seem to find the time And do you really want to brave the snow To raise you sails to blow and go Across the room to fetch a pen To write it down, to do it when… Today today today today today Is yesterday, yesterday Inspirations on a waterfall Over the edge where they dissolve Into a mist and reascend Over the edge and back again And once a week you’re in the early line To have a drink with Father Time But in the morning you awake And toss your cocktail in the face of today… Today today today today Is yesterday, yesterday
8.
Hey babe, what’s it gonna be? You’ve got to shake the devils hand if you want to love me Now I feel funny and a little bit low But I’m takin’ off my shirt so I can feel tomorrows glow I’d take it back I’d take it back My enemy crept up on me by Slippin’ through the crack And I’d take it back… yes I would if I could That’s what I get when I trod along The next time I’m a decoy rabbit Running from the dogs Yeah that’s how you do it – try to distract Find somethin’ new to bet on before you Run another track I’d take it back I’d take it back My enemy crept up on me by Slippin’ through the crack I’d take it back I’d take it back My enemy crept up on me by Slippin’ through the crack And I’d take it back… yes I would if I could yes I would if I could
9.
I guess you shouldn’t try to get caught up in the moment Of course, by nature, moments never stay But if you have arrived, you will have to try to clear your name to remain here. Your fortune tried to phone but you were already gone A smoke screen wafting all around your head And nobody was impressed when they lost a shoe in the mess you left behind… too unkind It’s not that a jury would have put you away In fact, they RSVP’d to your party today But you will have to be the one to clean up The tracks of an animal A promise is a law. Your heart was crossed with a paw And you may stick a needle in your eye So get this off your chest and hope to God that the best is good enough – or bust Cause someday they may not want to try anymore To follow your footsteps just to knock down your door And you will have to be the one to clean up The tracks of an animal
10.
There’s a scratch on each one of your bended knees Must be bad, if good things always come in threes You ate a piece of chemical bread and bad habits were born in the bed You said “bite your tongue, secrets aren’t so hard to hide” We began when conscience knots were pulled, untied It’s not so very hard to believe Just clean and press the clothes of a sheep You know who to call when poison berries fall to the ground Hidden barracks – a home to house what we believe But we’re locked out if moderation is the key The soldiers may be healthy and stiff But the army’s marching over the cliff You know who to call when poison berries fall to the ground You said “bite your tongue, secrets aren’t so hard to hide” We began when conscience knots were pulled, untied It’s not so very hard to believe Just clean and press the clothes of a sheep You know who to call when poison berries fall
11.
We’re gathered here to unite and do a goosestep for our guy Just fill this basket with dollar bills and then I’ll tell you why We’re gonna reach out and spread the word – give credit where it’s due See, George, us old ladies forget a lot, but we’ll never forget you It’s a new revolution not a twinkle in our eyes What better way just to pass the day until we finally die? So word spread by the pencil leads and through mouths of every style I heard the truth through the missing tooth of a cross-eyed half-breed’s smile And he said Thank you Mr. Washington Even the petty resistance slowly started to believe They fell apart like the dying bark of a fallen cherry tree And now the view from the monument is George from sea to sea And the cries up in Spokane Lincoln are heard in Abe D.C. And they say Thank you Mr. Washington
12.
There’s a fence I walk along it separates the weak from strong and I won’t be afraid I won’t be afraid When I see contentment dressed In the guise of tiny steps I won’t be afraid I won’t be afraid I could stay here all night long No one could ever gauge What it takes to make the change But I won’t be afraid I won’t be afraid And when the wait is through I’ll be melting over you and we can stay here all night long And when I don’t see a shooting star I may want to leave and run But I will stay here all night long, I will stay here all night long

about

The final album from Orchestraville, originally scheduled for release in 2005. From the original press release:

Ohio's Orchestraville has always been on a quest for the classic pop song. Whether it was drawn from the new wave leanings of XTC, the songwriting of The Kinks' Ray Davies, or the concentrated musicianship of Luna, their goal is a catchy melody.

On their third release, "Poison Berries," Orchestraville has tossed aside the quirky rhythmic motifs of their previous work for a more conventional rock format. Primary songwriter Christopher Forbes has crafted personal and poetic lyrics and married them with melodies that are both classic and original. In the process they have held onto their British Invasion influences, taking cues from The Who and The Stones. In a way, this is really Orchestraville's debut CD.

The core of the band, guitarist and singer Forbes, bassist Dave Pascoe and drummer Keith Hanlon, have been playing together for more than ten years. The addition of former Curious Digit keyboardist and solo artist Parker Paul (Jagjaguwar Records) brought a touch of 60s rock to the band. Primarily playing organ, Paul channels The Animals' Alan Price, The Band's Garth Hudson and The Doors' Ray Manzareck. His sound has inspired the band to pursue more direct material, even incorporating swing and folk arrangements on the album.

Recorded in their living rooms and basements by Hanlon and Forbes, "Poison Berries" presents Orchestraville's newest songs with a relaxed, live feel. Rather than concentrating on details, they paint with a broader brushstroke, adding only what is needed to the performance.

credits

released September 17, 2010

Christopher Forbes - lead vocals, guitars, keyboards
Keith Hanlon - drums, vocals
Parker Paul - keyboards, vocals
Dave Pascoe - bass, vocals

Guests:
Amy Alwood - Electric Guitar on "You Wanna Be Like That"
Anthony Jacobs - Valve Trombone and Euphonium on "You Wanna Be Like That"

Recorded at Gidget Sound, Admiral Benbow and Frank Lloyd Wrong

Mixed by Keith Hanlon and Christopher Forbes
"Thank You, Mr. Washington" mixed by Neal Schmitt at Workbook Studio.

Digital Edition Mastered by Steve Hoffman

Cover design by Ron Hester
Cover photo by Keith Hanlon

Lyrics by Christopher Forbes
Music by Christopher Forbes, Keith Hanlon, Dave Pascoe and Parker Paul

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Orchestraville Columbus

Orchestraville performed from the early 1990s through the mid 2000s in Athens and Columbus, Ohio.

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